The Arab Dance Seminar presents RAQS EGYPT
The History and Future of Dance in Egypt, and its Practice and Performance in the USA

A Seminar of 5 Master Dance Classes, 2 Panels, Music Lesson and Show: with
Aisha Ali . Hala Fauzi . Amina Goodyear . Karim Nagi . Sausan . Debbie Smith





Dance Relevance:
It's time to go beyond Bellydance! With the enormous explosion of dance enthusiasm in the USA, it is often forgotten where the origin of this phenomenon occurred. Many dancers today do not know the ethnic origin, cultural context, social implications or national varieties of the dances they are performing. Often the lyrical content of each song is also unknown by the dancer. Few dancers know the inner workings and systems of the musical compositions they choreograph and perform to. These factors cause a huge homogenization, resulting in the artistic displacement of the art form. This Seminar gives the dancer the tools and knowledge needed to be a more informed presenter, as well as a more skilled performer and teacher. The instructors are either native primary sources, highly schooled professionals who have lived in Arab countries, or both. They will help each dancer unite the soul, brain and body to create the true authentic dance.

Societal Relevance:
Arab culture has always been a fascination for Westerners. The Orientalist painters of the 17 and 18th centuries like Gerome and Delacroix were obsessed with the street market and household scenes of Arab lands. Currently, modern singers like Beyonce, Sting, Jay-Z and Shakira use the melodies and rhythms on their CDs and dance moves in their videos. Every major college and university teaches Arabic language, and has a Middle Eastern Studies department. But this fascination occurs with a simultaneous fear and paranoia. There is an ongoing media pre-occupation with the political and military turmoil in the Arab world. The Arabs have been designated as the antagonists in a proposed "clash of civilizations." There is no Arab in America that does not experience some type of political existence by default (even while simply dancing or singing). It is our belief that the study of dance and music can humanize the study of Arab culture and people. The enjoyment and cultural knowledge gained from the study and practice of human arts can dissolve the fictitious Arab-West dichotomy.





STUDENT PRAISE:
The Arab Dance Seminar was a fantastic experience. I felt that it caused a quantum leap in my understanding of the dance and the music, and made me a better dancer. There's no substitute for cultural context. This is the real deal!
- Leela Corman, NYC (student Fall 2007)

I attended Karim's Arab Dance Seminar in Nov 2006 in New Haven CT. I flew all the way from San Jose, CA to attend the seminar, and it was definitely worth the trip, the expense and more. I had already studied Egyptian dance with Nourhan Sharif for a few months, and had attended a very brief workshop with Karim in San Francisco, so I had a little background on the subject, but honestly I think I learned more in the 48 hours or so of that workshop than I had in about 8 years of studying "belly dance" in California with various relatively experienced & knowledgeable dance teachers. I found all of the seminar faculty extremely knowledgeable, talented, sincere, and inspiring. In fact I was so inspired by Kay Hardy Campbell's stories of the Saudi women's music ensembles and her own oud playing at the seminar that I came back to CA, found an oud and a local teacher, and have since joined an Arabic music class and ensemble, which I performed with for the first time this summer. I can honestly say my life has taken a whole new direction that it never would have otherwise, because of the contacts I made and the knowledge I gained at that seminar (I always remember the malfouf from Karim's rhythm class!). On top of that, it was great fun, every moment was interesting and mentally & physically challenging. The other students were very nice, interesting and intelligent people and I have stayed in touch with some of them since then. Honestly, I would go again to this year's seminar, but I've already used up all my vacation time for the year. If you are the slightest bit interested in the dance and music of the Arab world, by all means go and take advantage of this fabulous program!
- Suzanne Cuzio, Santa Cruz California (student Fall 2006)

I found it wonderful to be able to spend a weekend with a number of instructors that are so knowledgeable in their areas of teaching. The whole Arab Dance Seminar experience made me more excited about Arab dance and culture than I had ever been before. Its well-organized program allowed me to focus on specific topics which led to a deeper appreciation and knowledge about the art form and culture as well as recognize its great diversity. Most importantly, by being exposed to topics such as musicality, rhythms and language my interest was sparked so that since my Arab Dance Seminar experience I have continued to learn about these topics.
- Megan Kent, Saskatoon Canada (student Fall 2006 and Spring 2007)

I left Refreshed and Re-inspired! a truly unique worthwhile experience to gain knowledge and insight into the music and the dance and the culture behind it from well those that are immersed in it in an intimate setting. The team of instructors are impeccable and fascinating and the musicians wow!
- Yasmine, North Carolina (student Spring 2007)

I went to the Arabic Dance Seminar knowing it was going to be a great experience but it completely exceeded my expectations. It was fantastic to study with people who know and understand the roots of Arabic music and dance and who are able explain the cultural context. It was also an opportunity to study topics that are not commonly taught in other dance events like Maghrebi, Zaar or Beduin dances. Every teacher made an effort to explain not only the steps but the meaning, context and feeling of the dances being taught. It is certainly a unique opportunity to go back to the core of the dance forms we study and love so much.
- Andrea Novoa, Las Vegas (student Fall 2008)





The ARAB DANCE SEMINAR (November 4-6, 2011 session) is the first repeating event of its kind in America. All previous Seminars since November 2005 have sold out with maximum attendance. This is the first time the Seminar is being held in San Francisco. The goal of this intensive weekend of workshops, lectures, performances and dance parties is to give the student a comprehensive Arab cultural dance experience. Going beyond nebulous "Bellydance" or generic "Middle Eastern" categories, the Seminar puts all the skills, techniques and practices back into their cultural contexts. The Arab world, home of over 20 countries in 4 zones (North Africa, Egypt, Levant, and The Gulf) is the origin and breeding ground for multiple styles and practices with a common language and aesthetic. This Seminar helps clarify and illuminate that tradition.

The Arab Dance Seminar is created for people with a minimum of 2 years dance experience. The faculty seeks to give every student the authentic techniques, choreographies, and comprehension of Arab dance. Every dancer will take every workshop and lecture; there is no layered scheduling that forces the student to choose between classes. The Music classes will be taught using generic language that is understandable to non-musicians. The student will be provided with study sheets and recordings that reflect the curriculum. Every dancer will leave the Seminar with new routines to perform and teach, plus a responsible cultural understanding of the dance and music.

Although there is an academic and ethnographic emphasis, there are neither desks nor computer stations. The student will learn by dancing, moving, singing, clapping and sweating. It is an active seminar where the goal is to physically practice the subjects, and to retain new knowledge for future performances and teaching.


2011 Special focal topic: RAQS EGYPT :
The history and future of dance in Egypt, & its practice and performance in the USA.

The November 2011 Arab Dance Seminar will focus exclusively on Egypt. We have chosen to have this single-country focus for 2011 in response to the unexpected and impressive January 25th Revolution that liberated Egyptians from its decades-old political regime. Egypt has always been the biggest source for the famous songs and performers of Raqs Sharqi and Folkloric styles. Many foreign dancers idolize and emulate the Egyptian icons, be they Pharonic, or movie celebreties. Mahmoud Reda and the Reda Troupe remain the most influential figures in "Belly Dance". However with the enourmous influx of non-Arab dance stars, the proliferration of Fusion and Tribal styles, and finally this unsettling Revolution, it is time to have a discussion. Raqs Egypt is focussed on reviewing the past, and preparing the future of Egyptian dance. These panel discussions, seminars, and dance workshops will help illuminate a dancers appreciation and understanding of this quintessential country.




NOVEMBER 4th till 6th, 2011
FRIDAY 4pm till SUNDAY 4pm

Twin Space Continuum
2111 Mission St. @17th; 3rd Floor Room #300
San Francisco, CA, USA


THIS SEMINAR IS
* * * * * SOLD OUT * * * * *

We are only accepting 40 people.
We have Sold Out all 8 Seminar sessions.
We will never sell individual classes.
We want every student to take every class and panel.
At this time, we do not sell individual days.
We also will not accept walk-ins.

Students are responsible for their own lodging and food !
The studio is only one block from the BART train,
so you can book a hotel anywhere in SF & Bay Area.

All students will get a Seminar packet,
gift CD, and multiple smiles :-)

For any additional info, please contact Us at arabdanceseminar(at)gmail.com


SCHEDULE subject to adjustment

FRIDAY
3 pm Registration
4 pm Egyptian Music Class
5 pm History of Mohamed Ali Street
6 pm Panel : the role of Dance in Egyptian Society & its Future

SATURDAY master dance classes
9 am Amina : Shaabi & Sharqi
11am Aisha Ali : Ghawazee & Fallahi
1pm Lunch
2 pm Hala Fauzi : Melaya Laf & Baladi
4 pm Karim Nagi : Saidi Cane & Mulid Zikr
6 pm Debbie Smith : Sharqi & Shaabi

SUNDAY
10 am Video and Film Showcase
11 am Panel : the Americanization of Egyptian Dance
1 pm Concert & Dance Showcase
3 pm Dance Party and Goodbye Zar

KARIM NAGI : www.karimnagi.com

Karim Nagi is a native Egyptian drummer, DJ, and folk dancer. He is the creator of Turbo Tabla, and has released 4 internationally distributed CDs of this unique brand of Arab House/Electronica using acoustic instruments. Karim has authored instructional DVDs for the Tabla/Doumbek, Riqq tambourine, Maqam/Taqsim for Dancers, as well as two rhythm compilation CDs. He is also well versed in the ultra-traditional styles of music and dance as the leader of the Sharq Arabic Music Ensemble, and the Arab Dance Seminar. Karim performs and teaches Tahteeb Cane Dance, Dabka Line Dance, and Zikr Sufi Dance. He taught at the New England Conservatory of Music for 5 years, and has lectured and presented at Harvard, MIT, Yale, Bowdoin, Princeton, Stanford, NYU, William & Mary, and several Community Colleges. He has recorded music for Bellydance Superstars, Bellyqueen, and the Bellytwins, as well as mainstream artists like Alicia Keys, and The Urban Griot Project. His performances boast a dynamic concoction of live drumming and dance, done in unison. Because of his proficiency in both music and dance, his workshops deliver students to a new physical understanding of the connection between these two disciplines. As a dance and drum teacher, Karim has taught in nearly all major bellydance festivals in the United States and Cairo, as well as all major Arab Culture festivals in the USA. Karim Nagi is a true crossover artist, uniting the Cabaret and Tribal, Traditional and the Modern, the Ethnic and the Urban.

AISHA ALI : www.aishaali.com

Aisha Ali has contributed to the field of dance as a performer, teacher, filmmaker, choreographer and producer of audio recordings. Born in the United States of EgyptianÐItalian heritage, Ali spent many years doing independent research in Egypt and North Africa, collecting folkloric traditions that were fast disappearing. Six CD's and five DVDs have been released from her collection, which includes two award-winning documentaries. She plans to release her latest documentary, "A Wedding in Luxor" which features Nawar musicians later this year, and will publish additional recordings of Egyptian folk music from Upper Egypt that span 40 years and will illustrate the ongoing stability of the genre. For many years, Aisha wrote articles for Arabesque magazine about her experiences in the Middle East Ñ and for Habibi Magazine until 2005. At present she contributes to Belly Dance Ð A Raqs Sharqi Magazine. She has written text for the JVC/Smithsonian Anthology of World Music and Dance, and the Oxford University Press published her articles and photographs about Algerian dance and the Ouled Na•l in the International Encyclopedia of Dance. In 1993 Aisha was the Middle Eastern soloist at the opening of the Los Angeles Festival, at which time impresario, Peter Sellers, announced her as "a national treasure". Over the years she has served as a panelist for the San Francisco Ethnic Dance Festival auditions, and in1997 was honored at an International Conference on Middle Eastern Dance. Dr. A.J. Racy nominated her for the Dance Heritage Coalition list of "America's Irreplaceable Dance TreasuresÓ. She continues to conduct workshops and seminars throughout the world and teaches ongoing classes in Los Angeles. When she is not dancing, she is an Orientalist painter. .

HALA FAUZI : www.haladance.com

Hala grew up in Alexandria, Egypt to the rhythms and melodies of the Middle East. She has been dancing since she was a child and brings her own graceful, elegant and authentic style to the dance. Hala exposes the cultural, historical and native dimensions of the dance as it's done in the East. Her dance style is heavily influenced by the folkloric Egyptian traditions that are less known in the West. Hala studies regularly with many Egyptian Master teachers and brings the latest dance styles, music, fashion and trends from Egypt every year. She organizes and leads annual music and dance tours to Egypt. Her teachers include Master Egyptian stars like Mahmoud Reda, Farida Fahmy, Raqia Hassan, Aida Nour, Dina, Tito, Badia'a, Mervat Mongy, Nagwa Fuad, Zizi Mostafa, Hamada Hosam El Din, Hassan Afifi and many others. Hala also studies and performs with American and Canadian stars including Hadia, Sahra Kent, Alexandra King, Morocco, Ansuya, Jillina, Amar Gamal, Dondi Dahlin, Lorna Zilba and many others. Praised not only for the authenticity of form and style but also for the immaculate rhythm of her choreographies, Hala, a native of Egypt, has risen to be one of the most authentic dancers today. Her performances are captivating with a lot of passion and energy. She has been performing in the bay area since 1997. In 2006, Hala was elected Vice President of the San Francisco bay area chapter of MECDA (Middle Eastern Culture and Dance Association). The Hala Dance Company offers solo & group performances. They were among the few selected from over 115 dance companies to perform at the presitgious San Francisco Ethnic Dance Festival in June 2004. In 2005, Hala performed with master percussionist Hossam Ramzy in London, England and presented her native art at the Los Angeles County Museum of Arts in celebration of the King Tut exhibit. In 2006, she and her friend Amanda, opened Halanda Studio, a dance & fitness studio in San Jose, CA. They offer classes and workshops in many international dance styles. In 2007, Hala taught Middle Eastern dance through the Dance Dept at Stanford University. It was the first time a major Western University endorses Middle Eastern dance as part of their curriculum.

DEBBIE SMITH : www.gildedserpent.com

Debbie Smith is a dancer, cultural manager, consultant and writer based in Cairo, Egypt. Currently she is the Program Manager at Al Mawred Al Thaqafy (Culture Resource), an independent cultural organization that serves artists and the independent cultural sector in Egypt and the Arab region through artists support programs for production and travel, professional development and training workshops in cultural management, and cultural policy research, in addition to operating El Genaina Theater in Al-Azhar Park and producing the biannual Spring Festival in Cairo and Beirut. She also works as a freelance consultant, grant writer and production manager for numerous other artists and organizations in Cairo. She has studied and performed Middle Eastern dance since 1990, exploring regional dance styles from North African to Persian, and eventually specializing in Egyptian raqs sharqi and folkloric styles. She has performed at numerous theatrical venues and at seminar shows throughout the country, and has conducted workshops on Egyptian dance, Shaabi music/culture, and interpretation of Egyptian song and music for dancers. Her teachers, influences and role models include master teachers such as Shareen el Safy of Santa Barbara, Elena Lentini of New York, Karen Barbee of San Antonio, and Amina Goodyear of San Francisco and many notable dance artists from Egypt such as Mona Said, Raqia Hassan, Magda Ibrahim, and others. From 2005-2009 she was a member of Al-Juthoor Palestinian dabkeh company of San Francisco. Before moving to Egypt at the end of 2009, she worked as Cultural Program Manager for the Arab Cultural and Community Center in San Francisco, California, and was responsible for cultural program development, event management, grant writing, and publicity and marketing, working with Arab and Arab-American performing and visual artists of all genres. Prior to this, she was the Program Manager for Dance Brigade's Dance Mission Theater, a multicultural dance school and theater in San FranciscoÕs Mission district, and she oversaw daily operations of the school and theater, as well as programming the theaterÕs spring and fall seasons and coordinating all aspects of production and publicity, serving dancers, choreographers, technicians and other artists from a wide range of dance styles and backgrounds. She received her Bachelor of Arts in Middle Eastern Studies from the University of Texas at Austin. As an active member of the arts and culture community, she has participated in a number of panels and committees relating to dance, arts funding and advocacy, and other related subjects, in addition to volunteer stage management, production assistance and consultation for a number of artists and venues in the United States and Egypt.

AMINA GOODYEAR : www.aswandancers.org

Amina's performance career began at San Francisco's famous Bagdad Cabaret in 1966, and over the years she has performed in countless venues from nightclubs and theaters to museums, festivals and fairs. In 1976 she founded the Aswan Dancers, her Egyptian dance company now celebrating more than 30 years of performance. AminaÕs work as a choreographer and performer is loved for its uniquely Egyptian aesthetic sensibility and sense of humor. As a life-long student and performer of Arabic music, Amina has played percussion on the nightclub and theater stage with a number of San Francisco's best-known Arabic musicians such as Reda Darwish, the Georges Lammam ensemble, Susu Pampanin, and more. In 1986 she founded the musical ensemble The Cairo Cats, followed by the Arabian Knights 1n 1996, and her latest project is the Layalli al-Sharq band, founded in 2007. She was a founding member of Aswat, the Bay Area's only Arabic choir, in 1999 and continues to rehearse and perform with them. A master teacher for over three decades, Amina combines dance technique, musical interpretation, and cultural and linguistic information about the Arab world so that movement and musical information is learned against the background of its cultural context. In addition to seven regular weekly classes at her studio, she also teaches a weekly Arabic drumming for dancers class and has a full schedule of private classes, focusing on training dancers for professional performance. She has taught classes and done lecture/demonstrations for organizations and schools such as the Mission Cultural Center for Latino Arts , City College of SF, University High School, and many schools in the area. She also travels throughout the Bay Area and nationally to teach workshops on all types of Egyptian oriental, shaabi and folkloric dance. (Producer)In 1991, Amina created the Giza Club, a cultural organization dedicated to promoting the understanding of the music and dance of the Arab world, through cultural lectures, panel discussions, movie screenings and performances, as well as sponsoring visiting dancers and musicians in workshops From 1997 to the present the Giza Club has also produced the annual Giza Awards, which recognize excellence in instructional, performance, and documentary tapes and DVDs about Middle Eastern dance and the Giza Club also hosts twice yearly Arabic film festivals focusing on the culture, music or dance. She has produced two videos, the documentary "Hizz ya Wiz," and "Nadia in America," starring the legendary Egyptian dancer Nadia Hamdi. Over the years she has produced numerous full-length evenings of music and dance at ODC Theater, Noe Valley Ministry, Dance Mission Theater, and other theatrical venues. Most recently is Tarabiya, an Egyptian Music and Dance performance co-produced with The Mission Cultural Center for Latino Arts featuring the classic music and poetry of Mohamed Abdel Wehab and Om Kalsoum. In 1994 Amina was inducted into AAMED's Middle Eastern Dance Hall of Fame in New York, and received both the Lifetime Achievement and the Contribution to the Dance awards from the national organization MECDA (Middle Eastern Dance and Culture) in 2002 and 2006. She has served as a judge, panelist and committee member numerous times in the Bay Area and nationally. She is also a staff writer and member of the editorial board of the on-line Middle Eastern dance journal Gilded Serpent.

SAUSAN : www.sausanacademy.com

Sausan began her studies in belly dance at Jodette's Belly Dance School located in Sacramento, California in 1974 after two years of private research. While continuing to master the dance, Sausan devoted herself to establishing belly dance in San Francisco after moving there in 1977. She sponsored numerous belly dance workshops with well-known belly dance instructors, produced several named belly dance functions, catered numerous events, and published and distributed a belly dance quarterly as well as an annual belly dance guide, both of which were distributed to over 2,000 Bay Area belly dance residents and over 25,000 belly dance residents worldwide. In early 1999, Sausan acquired the Grapeleaf and after almost a year of renovation, Sausan opened A-Masri Egyptian Restaurant (The Egyptian) in December 17, 1999, which makes Sausan the only belly dancer to own an Egyptian restaurant. Numerous distinguished and honored guests attended this event, including Her Excellency, Hagar Islambouly, the Consul General of Egypt. Within the first six months, Al-Masri was written up in numerous well-known magazines, periodicals, and featured on radio and television programs. After studying, dancing, and performing all over the world for 28 years, in 2000, Sausan once again took step into the demanding world of dance as an instructor. She began coaching private students in Egyptian dance technique using the Egyptian film industry's famous dancers of the early Twentieth Century as the backbone of her curriculum. Since that year, Sausan's students include dancers that have gone on to perform professionally at Al-Masri, representing the high standards of Sausan Academy of Egyptian Dance, which in 2003, she officially opened. She has been seen lecturing and demonstrating the dance with her students at Stanford University, Palo Alto as well as the International House and the Phoebe A. Hearst Museum at U.C. Berkeley. Her dance ensemble was chosen to perform at the King Tut exhibit Grand Opening in 2009 and Grand Finale in 2010 at the de Young Museum. She is also the producer of numerous prior events including performances at the de Young Museum Eternal Egypt Exhibit in 2001 as well as the de Young Museum Grand Opening in 2005, the "Natural World Museum Opening Gala Celebration" at the Presidio in 2004, "Dancing on the Nile: A Story of the Raqs Sharki" at the de Young Museum in 2006, and the San Francisco Ethnic Dance Festival VIP Gala in 2006.






For any additional info, please contact Us at arabdanceseminar(at)gmail.com