COMPLETE CLASS SCHEDULE //
REGISTRATION & FEES //
PROMO VIDEO (mac) //
PROMO VIDEO (pc)
The ARAB DANCE SEMINAR (November 2-4th, 2007 - the East Coast session) is the first repeating event of its kind in America. All previous Seminars since November 2005 have sold out with maximum attendence. The goal of this intensive weekend of workshops, lectures, performances and dance parties is to give the student a comprehensive Arab cultural dance experience. Going beyond nebulous "Bellydance" or generic "Middle Eastern" categories, the Seminar puts all the skills, techniques and practices back into their cultural contexts. The Arab world, home of over 20 countries in 4 zones (North Africa, Egypt, Levant, and The Gulf) is the origin and breeding ground for multiple styles and practices with a common language and aesthetic. This seminar helps clarify and illuminate that tradition.
The Seminar is created for people with a minimum of 2 years dance experience. The faculty seeks to give every student the authentic techniques, choreographies, and comprehension of Arab dance. Every dancer will take every workshop and lecture; there is no layered scheduling that forces the student to choose between classes. The Music classes will be taught using generic language that is understandable to non-musicians. The student will be provided with study sheets and recordings that reflect the curriculum. Every dancer will leave the Seminar with new routines to perform and teach, plus a responsible cultural understanding of the dance and music.
Special focal topic for this session: From ENTERTAINMENT to ECSTASY : Performance vs. Sacred Dance in the Arab World.
The November 2007 East Coast Arab Dance Seminar will focus on distinctions between dance that is made for an audience, versus dance done for God or spiritual salvation. In each scenario we will adress who the audience is, and what is the purpose of each movement activity? We will also investigate what is the motivation of the performer, and what is the aspired goal of the dance? On Saturday we will focus on the performance forms created for stages, cabarets and theatre productions. On Sunday we will engage in the ritual healing, mystical and transcendental dances done within private communal groups. We will also discuss the status of the dancer in the Arab world, and address some of the related religious controversies. However, we will engage in movement, not debate. We will have a special guest instructor, Egyptian Dervish and Tannoura Whirling Skirt Dancer Mohamed Shahin. He will do an in-depth demonstration on the "Daraweesh" Dervish spinning ritual of Egypt, explaining its roots in the Zikr ritual and in the Sufi Mysticism found in Turkey, Iran and the Arab World.
Although there is an academic and ethnographical emphasis, there are neither desks nor computer stations. The student will learn by dancing, moving, singing, clapping and sweating. It is an active seminar where the goal is to physically practice the subjects, and to retain new knowledge for future performances and teaching. You may REGISTER HERE.
Workshops will be given in:
** Egyptian Raqs Sharqi and Saidi **
** Egyptian Sufi Dervish Dance **
** Khaligi "Gulf" Dances **
** Bedouin Ritual Dance **
** Dabka Stage Performance **
** Amazigh-Berber Ritual Dance **
** North African Dance **
** Zirk and Zaar Healing Ritual **
** Islam and Sufism **
** Culture and Dance History **
** Arabic Language Lesson **
** Arabic Music Workshop **
** Rhythm For Dancers Workshop **
** PAN ARAB CONCERT with The SHARQ TRIO plus FACULTY dance Performances on SATURDAY NIGHT **.



Schedule: Classes will start at 4pm Friday November 2nd and end by 2pm Sunday November 4th, 2007.
DOWNLOAD COMPLETE SCHEDULE
Above Is A Promotional Video About This Seminar And Its Highlights.
The teachers include (subject to adjustment):
NOURHAN SHARIF: Raqs Sharqi and Egyptian Folklore : www.nourhansharif.com
Contemplating the beautiful power generated by focused energy and that theatrical presence empowered by precise articulation, Nourhan Sharif is the dancer that immediately comes to mind. Specializing in Egyptian, Lebanese Cabaret, and Folkloric Dance, Nourhan has more than 33 years of training, performance, and teaching experience in Middle Eastern dance. She is an accomplished -- and popular - Producer, Performer, Teacher, Manager, Entrepreneur, DanceWear Designer, and Choreographer. Dedicated to the art of Raks Sharqi and to formulating her own expressive style -- attributes exemplary of a fine educator and artist -- Ms. Sharif has carefully chosen a serious course of study in Egyptian, Lebanese, Greek, Turkish and Flamenco idioms with the most respected teachers - most notably, intensive work in Egyptian style with the incomparable Yousry Sharif.
AMEL TAFSOUT: North African, Berber, and Bedouin : www.ameltafsout.com
Born in Algeria, AMEL TAFSOUT is an accomplished well respected Master Dancer and choreographer of North African MAGHREB DANCE, a dance anthropologist, a singer, a storyteller and a Language instructor. She has lectured, danced, taught, sung and conducted anthropological research all over the world. She performed in many European countries and the US. She lived in many European countries (France, Germany and the UK); she speaks four languages and has published articles in academic and popular magazines. She is the Director of "The Tafsoutettes", her dance company, formed in 2001. With her company Amel Tafsout aims to perform the dances of the Maghreb and other Arabic countries with skill and sincerity as well as to educate audiences about North African culture, most notably women's traditions and evolutions through dance, story telling but still retaining a sense of wit and sharing the spirit of celebration.
KARIM NAGI: Arabic Music, Dabka, Seminar Organizer : www.karimnagi.com
Karim Nagi is a native Egyptian who has lived in the Boston area for over 20 years. Karim performs primarily Arabic, Turkish and Andalusian hand percussion, including the Egyptian Tabla (goblet drum), Riqq (tambourine) and Segat (brass castanets). Karim is a former faculty member of the New England Conservatory of Music. Karim leads the SHARQ Arabic Music Ensemble performing the classical Arabic instrumental and vocal repertoire. Karim travels the country presenting his education program called "Arabic Music, Dance and Culture" to school grades 4 up through the university level. Karim developed and currently performs Turbo Tabla a music and dance show that combines traditional Arabic and Turkish music with modern Electronica and Techno. Karim also dances the Dabka Arabic Line Dance and leads the Zaitoun Dabka Troupe.
KAY HARDY CAMPBELL: Khaligi, Gulf Dance and Music : www.kayhardycampbell.com
For more than 25 years, Kay has taught seminars and Gulf women's folkloric dance classes across the U.S. to women at dancer-sponsored events as well as at academic institutions including MIT, Agnes Scott College, and Wellesley College. Women of the Gulf perform these dances in groups to celebrate occasions such as weddings, school graduations and national holidays. The women traditionally perform their dances in pairs or in groups. While Kay doesn't perform these folk dances in public, she has coached and choreographed group dances for professional performers including Boston's Near East Dance Theatre and Libana. She has been the featured folkloric instructor at Oasis Dance Camp three times. Kay's goal with her classes is to share the joyous aspects of Arabian women's traditional culture with women in the West by letting them experience it firsthand through music and dance.
MOHAMED SHAHIN: Guest Instructor, Egyptian Dervish Dance : www.mohamedshahin.com
Mohamed Shahin, a native of Egypt, began his dance training at
age 14 studying classical dance as well as all forms of
Egyptian folklore and earning his degree in dance at the famous
school of El Kamiah in Cairo. He was troupe manager for Egypt's
national singer Samir Sabri and has performed internationally
in nightclubs, numerous television shows and movies. His
spectacular Tanoura (whirling dervish) and Saiidi Tahtib (stick
dance) have placed him in demand throughout the world as both
performer and choreographer.
It's time to go beyond Bellydance ! With the enormous explosion of dance enthusiasm in the USA, it is often forgotten where the origin of this phenomenon occurred. Many dancers today do not know the ethnic origin, cultural context, social implications or national varieties of the dances they are performing. Often the lyrical content of each song is also unknown by the dancer. Few dancers know the inner workings and systems of the musical compositions they choreograph and perform to. These factors cause a huge homogenization, resulting in the artistic displacement of the art form. This Seminar gives the dancer the tools and knowledge needed to be a more informed presenter, as well as a more skilled performer and teacher. The instructors are either native primary sources, highly schooled professions who have lived in Arab countries, or both. They will help each dancer unite the soul, brain and body to create the true authentic dance.
Societal Relevance:
Arab culture has always been a fascination for Westerners. The Orientalist painters of the 17 and 18th centuries like Gerome and Delacroix were obsessed with the street market and household scenes of Arab lands. Currently, modern singers like Beyonce, Sting, Jay-Z and Shakira use the melodies and rhythms on their CDs and dance moves in their videos. Every major college and university teaches Arabic language, and has a Middle Eastern Studies department. But this fascination occurs with a simultaneous fear and paranoia. There is an ongoing media pre-occupation with the political and military turmoil in the Arab world. The Arabs have been designated as the antagonists in a proposed "clash of civilizations." There is no Arab in America that does not experience some type of political existence by default (even while simply dancing or singing). It is our belief that the study of dance and music can humanize the study of Arab culture and people. The enjoyment and cultural knowledge gained from the study and practice of human arts can dissolve the fictitious Arab-West dichotomy.
REVIVE WELLNESS CENTER, 867 Whalley Ave New Haven, CT
www.revivewellnesscenter.com/
FEE for ENTIRE SEMINAR (all classes) & CONCERT
$290 / entire seminar with all workshops and dance parties.
$180 / Saturday workshops only.
$130 / Friday OR Sunday workshops only.
$ 25 / Saturday night performance and party only.
The student is responsible for their own Lodging, Transportation and Food. There are many restaurants and hotels in the immediate area.
Download REGISTRATION FORM
Contact by phone:203.387.1540
Contact by fax: 203.387.8151
Contact by mail: Revive Wellness Center 867 Whalley Ave New Haven, CT 06515 ATTN: Arab Dance Seminar
Contact by e-mail: revivewellness@aol.com
HOTEL OPTIONS
- LA QUINTA INN (formerly Fairfield Inn) 400 Sargent Drive, New Haven CT - (203) 562.1111
- NEW HAVEN HOTEL 229 George St New Haven, CT - (203) 498-3100
- PREMIER Hotel and Suites 3 Long Wharf Dr, New Haven, CT - (203) 777-5337
- BEST WESTERN Executive Hotel 490 Saw Mill Rd West Haven, CT 06516 - (203) 933-0344
For any additional info (other than registration), please contact Karim Nagi turbotabla@aol.com